Renée DICKASON, Benoît RAOULX, Foreword


Narrating spaces : the art of the documentary
Elizabeth DE CACQUERAY, Art with a Social Conscience: The origins and early days of docudrama in the United Kingdom (1930s/1940s)
Susannah O’CARROLL, From We Are the Lambeth Boys to The Loneliness of the Long Distance Runner : New Portrayals of Working Class Britain on the Big Screen?
Georges FOURNIER, Drama-documentary and British Television: A Quest for Legitimacy


Capturing the “real”: from fact to fiction
Renée DICKASON, Through the Social Looking Glass: Fiction depicting society in British soap opera
Amandine DUCRAY, Comic constructions and social realities: the case of the British black sitcom (1972-1998)
David HAIGRON, Room for Speech: The Rhetoric of Places in Conservative Party Political Broadcasts
Mathieu LEDOUX, Cities in science fiction films: An attempt at geographical analysis


Theories, methods and experiences
Benoît RAOULX, From the Mirror-space to the Screen-space: A Media Effect?
Catharine MASON, Video Ethnography: Contextualizing Language Learning
John Miles FOLEY, Oral Tradition and Internet Technology